HomeMy WebLinkAbout2411w.h:ichu he: wrougtht •up hds climax;
in, hie thandi•Yng: of. tohe refrain. The
nd;.a.nid_fourth,kin s end -in -the con-
idnal ballad (form; with .the ex
istion •.oh.l" . Thus : And w:hy 1
sad :gang •. ye`? Oh !" But with
e conven%onal expletives. Mr. Bis..
.a makes' to ..ruii tame gamut ,of
ic' expressuonranging front the
of.. brooding sos'row •to ,the .inex-
sibil.a Rheight of ,loath-ing and con -
PL , Mr. -. BL:phb.ni as en' encore,
'the ok EngAAh 't $PWj • 1 oh l 14ie l
ty,. Pretty6reature;"' in such a
1-y'. fanh6on `that contrast was al-
t incongruous.' Mr. Bdspham also
C ln, a delijfttfully. facile, •manner
delssc8in'.s merry ' ballad, " I'm' a
mer,'..' ;and with dhe .assistance of
club rendered other. "portant
Lbers.
ie'Male Quotas _ under Mr. Trlpp'e
.Ma .(1irection, `liar. Yteaday -grown,
he genex%* :'g1ia.3il'S.of its pertorrp-
it is a tine body of voices, .well
.need and vi''ith'aii.especiaily beau -
1 `"A ty 'pf tone, ,in tbie bays
1L AnW vigproas•.e)dMk. A fine
flexible=valurme of tone, and a
dh;amount ofF1legance mn:.ehadi"ng
3tarlroterdvUc ..*4.tureaf...:W1114 blur.
�Sti•Pr" �::;•ao�t,•„�idt•-o�.ng.l�s!e;+-.
n's alamts," . a! ffitef , but .very
stmt: and, dl,4xmatic 'can-tata, and
Xilbbra Staauford'a : setting.' of
V14, "p, Pamppi Cavalier •�pngs. No
is°beiter.Rt°ted to.express tie grace
vl our.:or. these' sonip 4haan Mr.lratit Excerpt' in the base of the
tad ,song;.." Bout; Saddle, oto. Horse
Avaay !" wbI6h: has a. fine rattling.
m7ahimpirit, ,Ilr.. Stantord'd sesttiags
not, an;,improvernent of -the more:
lfk_•ones''of Msud Valerie WtUte.
v As 'notItnx quite wo h1awy as
use Of' the;. old ,arniv tune " Lilll-
ro,". In. `Marciftk `. Along." The
us; bath in these.numbers and in
(�Slaeiip, C3n�x�ta.; •ean�g vc•ith krnil-.
expression. Of Ohe . otber choral
bens; the 1Vleyerbeer-Buck arrangb-
t!, at,tlie !Cborus `of .Prieste' trorn
�frleadne" �vas. the�mosC effeot:ive.